To Waco We Go

By Playwright, Jen Huszcza

Lately, I’ve been down on theatre. It’s thankless. It’s no money. It’s dying. Do I even want to do it anymore? Then, Tiffany sends me a call for plays with a theme that gets my playwriting brain working, so I write some plays and send them off.

playwright jenThis time, the theme was Planting the Seed. When I thought of planting, I immediately thought of flowers, so naturally, I had to write a play called Flowers for three male actors about social immobility and top soil.

Then a few days ago, I received a happy email from Tiffany. My play was a semi-finalist, and it was getting a reading in Waco, Texas. I howled and laughed in delight.

First, Little Black Dress INK produced my work in Arizona. Now, the reading is happening in Texas. I’m playing the Red States. Yes!

I will admit that the first thing that pops into my head when I hear Waco is that the Branch Davidians had a standoff with the FBI in 1993. I remember that sad business. February through April, twenty one years ago, it was happening.

On the other end of the spectrum, there is also a good Theatre Arts program at Baylor University in Waco.

Wanting to learn more about Waco, I googled.

According to the official City of Waco website, Waco also is the birthplace of Dr. Pepper and has a Dr. Pepper museum. Oh yes, I’m a pepper. You’re a pepper. She’s a pepper. He’s a pepper.

Another random fact about Waco: they found mammoth bones along the Bosque River, and there’s a Waco Mammoth Site (closed on Sunday and Monday, $7 admission for adults).

So Waco has tragic history, theatre people, Dr. Pepper, and old bones. Yep, I think my play will fit right in.

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Guest Blogger: Playwright, Katherine James

Katherine JamesWe are thrilled to have some of our Onstage Playwrights guest blogging over the next few months.  This post comes to us from playwright Katherine James, author of Old Salt.

Excited and thrilled that my play, The Old Salt, is included as a semi-finalist for this festival. There are so many reasons to be thrilled and grateful.  But today there is one big one.

I can write plays.

Sounds silly. Sounds basic. Sounds braggadocio.

But when you put it up against what I can’t do, it stands as a beacon of possible in what for me, right now, is an impossibly out of control world.

What I can’t do is I can’t fix my baby granddaughter’s heart.

Her almost 3-month-old heart has 3 holes in it. I can’t fix that.

If my play has 3 holes in it, I can fix that.

How reassuring, being able to fix problems with spirit and art.

They are going to put her under and crack her little chest open and patch her up sometime between the end of March and the middle of June – I have no clue at this moment of what the day will be.

I am going to find out when my play is going to be read in Santa Barbara and I will be able to plan around that. If my play is chosen as one of the final ones there will be a definite date for that festival.

How delicious is control over time.

There is a 95% chance that her heart surgery will be successful and that she will be just like any other little girl from that moment on. That other 5% freaks the shit out of me. Chronic heart patient, future surgeries, early death.

If my play is successful with 95% of the people who see it, I won’t think twice about that other 5%. I’d consider it a victory if only 5% of an audience for anything I write “doesn’t get me”. An “A+” has always been a good grade in my life in the theatre.

How glorious to be willing to live with imperfection – to be willing to embrace the lack of perfection that will always be art.

Tick tock.

The clock ticks by, taking me to surgery, to Santa Barbara, to the future – certain and uncertain. Controllable and out of control.

Art and reality.

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Our Producers

Little Black Dress INK is SO excited to be partnering with some truly stellar producers for this year’s ONSTAGE Project play readings!  We’d like to introduce you to the awesome women who will be directing/producing this year’s readings.

Santa Barbara, CA – Producer/Director: Kate Bergstrom
Reading date: Saturday, April 12th at 7:00 p.m. at Left Coast Books

Kate Bergstrom headshotKate Bergstrom, the head of Drama at Laguna Blanca School, is a Santa Barbara native and graduate of UCLA’s School of Theatre, Film & Television with a degree in acting and directing. As a director, her thesis production of Woyzeck with an all-female cast was featured as a sponsered department show. She has spent the last three years working as an educator, director and performer in Los Angeles and Santa Barbara, bringing theater into classroom curriculum through Blue Palm, a Silver Lake arts education organization and the Laguna Performing Arts Department. As an actor (AEA), she has performed in everything from Medea with Annette Bening to an installation as part of Suzan-Lori Park’s 365 Plays/365 Days. Her directorial work centers around the blurred lines between the self and other in relationship to gender, politics and socioeconomic identities. She most recently conceived and directed Wholed – a performance at REDCAT in the Walt Disney Concert Hall with members of the Performing Artists collective she spearheaded, GSF. She collaborates with artists Meg Wolf, Kristina Wong, Kristin Grace Erikson (AKA Kevin Blechdom), Patrick Kennelly, Jonathan Snipes, Nicole Disson, D’Arcy F-M, Hannah Phenecie and more. Her directorial work has been seen at UCLA, The Series, Anatomy Riot, The Mandrake, Sneaky Nietzsche, Highways Performance Space and CARTEL’s “Fort.” Her most recent directorial undertaking, King of Shadows by Roberto Aguire-Sacasa, with Elements Theater Collective, runs in alternative spaces in Santa Barbara throughout February.

Ithaca, NY – Producer: Darcy Rose, Acting Out NY
Reading Date: Saturday, May 4th at 7:00 p.m. at Acting Out NY

AONY photos for Tiff-1 After studying acting at UCLA, Darcy Rose made a living as a professional actress for many years in Los Angeles. Her credits include several national commercials as well as roles on Grey’s Anatomy, Dinotopia and Without a Trace. In 2012, Darcy moved back east to be closer to her family in Ithaca, NY. She then opened Acting Out NY, a performing arts studio for kids of all ages. At Acting Out NY, kids learn all sorts of acting techniques and create their own film productions during classes, camps and workshops. See more of what’s going on at AONY on their website: www.actingoutnewyork.com.

Sedona, AZ – Producer/Director: Kate Hawkes, Red Earth Theatre
Reading Date: May 4th at 5:00 p.m. at the Sedona Arts Center

RETlogowhiteredRed Earth Theatre provides a platform to inspire and nurture many voices through live performance, and encourage dialogue exploring the human condition in our diverse communities. www.redearththeatre.org

Producing Artistic Director: Kate Hawkes

Originally from Australia, Kate holds degrees in Education and Counseling, and an MFA in Directing from the University of Portland. She is a freelance theatre professional, arts in healthcare consultant and long time educator. She created Performing Wellness ™ an arts in healthcare writing/performance process and has worked professionally in all aspects of theatre, from acting, directing, producing, writing and management for over 25 years. Kate is a co-founder and Producing Artistic Director of the new Nthn Arizona theatre company, Red Earth Theatre. (to contact Kate go to: www.wellnesswithkate.com)

Waco, TX – Producer/Director: Tiffany Antone
Reading Date: Sunday, April 13th at 2:30 p.m. at the Waco Civic Theater

TiffanyTiffany Antone is the creative mind behind Little Black Dress INK & its Female Playwrights ONSTAGE Project.  She is also a director, playwright, instructor, and dramaturg, whose plays have been read or produced in Los Angeles, NYC, D.C., and AZ.  Tiffany is looking forward to another successful ONSTAGE Fest, and can’t believe her good fortune at working with such amazing partner-producers this year!  Having just moved to Waco, TX, she’s also immeasurably happy to have been welcomed by the Waco Civic Theater, and looks forward to introducing some fantastic female writers to the community.

Los Angeles, CA – Producer/Director: Mary Jo DuPrey
Mary Jo will be directing the staged reading of our ~FINALISTS~ at the Los Angeles Theatre Centre on Sunday, May 18th at 12:00 pm/noon PST.  This reading will be viewable on www.HowlRound.com

securedownloadMary Jo DuPrey is a faculty member at the UCLA School of Theater, Film, and Television where she directed “MGM: My Visits with My Grandmother Marta,” “In the Company of Jane Doe,”  Charles Mee’s “Big Love,” “Who is Selma Teller?,”  “The 25th Annual Putnam County Spelling Bee,” and an original musical, all female version of “Lysistrata.” Other Productions: World Premiere of “Arroz Con Pollo” at The Complex,  “Jane Doe” for The Blank Theater’s Living Room Series, and the World Premiere for the Los Angeles Theater Ensemble.  Last Spring,  “What May Fall” for Theater of Note, LA Weekly Pick of the Week. Most recently, an acclaimed production of Jeffrey Archer’s “Dr. Jekyll and Mr. Hyde,”  included in Bitter Lemon’s Best Productions of the Year and part of the Actor’s Co-Op’s LADCC’s Polly Warfied Best Season in Los Angeles Award.  Readings for the Marianne Murphy series include “Anna in the Closet,”  “Dolley,” and “Lost Cause.”  Associate Producer: the Indie Festival Award winning film “Nothing Special,” with Karen Black. Mary Jo is a graduate of Vassar College.  She earned her MFA in Directing from UCLA, is a recipient of the NYU Professional Certification in Filmmaking, and an Associate Member of the Stage Directors and Choreographers Society.

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2014 Semi-Finalists

It’s here!  Our list of Semi-Finalists – and WOW, what an awesome lineup it is!  Little Black Dress INK is so happy to be able to announce the following plays and playwrights will receive readings at one of our partner producer locations:

Ithaca, NY
SWIMMING AGAIN, by Janice Maffei
THE BEGINNER’S GUIDE TO GARDENING, by Denise St. Pierre
GET THE MESSAGE, by Coni Koepfinger
NIGHT BLIND, by Marella Martin
FLY GIRL FLY, by Brigitte Viellieu-Davis
IT SKIPS A GENERATION, by C.J. Ehrlich
PURPLE EGGS, by Nayna Agrawal
OFEM, by Anne Hamilton

Santa Barbara, CA
THE PLANTING MOON, by Anne V. Grob
MAN IN A MACHINE SHOP, by Christina Pages
SOIL, by Kate Bergstrom
THE OLD SALT, by Katherine James
WMPS* AND WARRIORS (*WELL MEANING PEOPLE), by Inbal Kashtan
HAPPY RETURNS, by Jessica Abrams
LITTLE SWIMMERS by Sharon Goldner

Sedona, AZ
ALTITUDE ADJUSTMENT, by Melanie Ewbank
1-2-3 JUMP            Kate Hawkes
YOU TOUCH ME, by Gail Mangham
REBECCA ON THE BUS, by Jennie Webb
WHO SHE COULD HAVE BEEN, by Allie Costa
THE REPLICA, by Katelyn Tustin
AFTER DARK, by Lavinia Roberts

Waco, TX
THE ENVIRONMENTALISTS, by Marla Dean
FANCY TOMATOES, by Tiffany Antone
IT ALL STARTS WITH CELESTE, by Sharon Goldner
SEEDS OF REBELLION, by Kay Poiro
SPECIAL DELIVERY, by Marj O’Neill-Butler
FLOWERS, by Jen Huszcza

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Playwrights, Scripts, and Hiccups, Oh My!

WoW!  We received almost 100 play submissions for this year’s Female Playwrights ONSTAGE Project, and I couldn’t be happier.  What a wonderful response!

Each participating playwright has been sent a batch of between 10-12 plays to read and evaluate using our online review process, and as soon as the totals are in, we’ll be able to announce our semi-finalists!

While we’re working to tally everything, I thought it would be a good idea to share a few bits of advice to playwrights based on what we’ve seen in from this year’s submissions:

  • Follow Submission Guidelines –  Several playwrights sent in scripts that neither matched the festival theme, nor followed the basic guidelines (must be 10 minutes or less, be sent in PDF Formats, must not have author’s name anywhere on script…)  Sometimes minor submission errors can be corrected (it is pretty easy to open a Word doc and save to PDF – as long as the person on the receiving end has Word) but oftentimes not.
    • So how many pages is “10 minutes or less”?  A good rule of thumb is 1 page = 1 minute.  For our ONSTAGE Project, a 12 page play isn’t going to be dismissed outright – two more minutes isn’t the end of the world! But a 26 page play certainly isn’t producible for our festival… so why submit it?  I’m still scratching my head over this one.
    • If a company is using a theme, follow it.  It is very tempting to try and justify ways in which a play you’ve already written matches a theme, but when you really have to reach for it, it’s probably not the best fit.    Example:  If the theme is “Social Justice” it’s probably best not to submit a play starring two old dudes fishing and talking about the weather…  Instead of submitting a play that’s a total stretch, consider writing a new piece (if you really want to participate in the event) or really revamping that fishing piece… like, really.
  • Take your time.  Reading through a festival or company’s submission guidelines slowly and clearly, and then using a checklist to make sure you’ve followed directions only sets you up for more success!   Logging in 96 plays and getting them all set up for our online system is time consuming – although I love playwrights and want everyone to have the best chances at getting into the festival, it would be unreasonable for me to try to correct technical mistakes for everyone who made them.  I did contact playwrights who sent scripts I couldn’t open, but not everyone used their correct emails either!  Eek!  So, now you’ve sent me a play in a format I can’t open and used an email you either don’t use/check very often while also including an incorrect email address in the body of the submission email?  There’s very little I can do to help you out now 🙁  So take your time!

Playwrights will have the opportunity to request a copy of evaluator feedback from LBDI, but the most common criticism we’ve seen thus far has been about formatting… which is a super contentious area, because playwriting, unlike screenwriting, doesn’t have one standard, set-in-stone, format.  However, that doesn’t mean you shouldn’t strive to make your play as readable as possible!  So:

  • Make sure you use consistent font – if you’re going to work with Times New Roman, then use Times New Roman all the way through!  Don’t change to something else halfway through the play, don’t alternate fonts for different characters and/or stage directions.  And don’t EVER use Comic Sans
  • Use 12 pt. font.  This is especially important for gauging performance times.
  • Space the elements of your script (characters/vs/dialogue/vs/stage directions/etc.) so that they can be easily differentiated and read.
  • Do NOT use multi-colored fonts.

The Dramatists Guild has very easy-to-follow formatting guidelines available to playwrights, so definitely check them out if you haven’t already.

And that’s about it from us at LBDI.  On the whole, I’ve got to stress, we are very happy with our playwrights and super excited about presenting our semi-finalists in the coming months!  We’ll be writing about our partner producers soon, as well as the review process, so keep coming back and stay connected with us through our Facebook and Twitter feeds!

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SWAN Day in LA!

Little Black Dress INK is thrilled to be presenting the SWAN Day Action Fest in LA with the Los Angeles Female Playwrights Initiative!

The festival is part of Support Women Arts Now day and will take place in LA on Saturday, March 29 at Sam French in Hollywood.  LA female playwrights are invited to submit one-act plays through Feb 15th.  The event will include a day of readings of 1-Act Plays and 2 rounds of Micro-Reads (all performed by actors from LAFPI partners at The Vagrancy), plus time to eat, drink and connect with female artists for future collaborations.

You can find out all the juicy details –> HERE <–

 

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Call for Plays!

Female Playwrights ONSTAGE cropI am SO excited to announce this year’s call for plays!  Please read over our submission rules and make sure you understand how our little festival operates.  Yes, we really do use peer review to select our plays for production – so make sure you’re ready to do some reading along with all that writing 🙂

And remember: this year’s theme is Planting the Seed 

FP ONSTAGE submission callBe certain to read ALL of the instructions before submitting.  We look forward to working with you!

 Questions?  Email:   Info – at – LittleBlackDressINK.org

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Planting the Seed

We’re back!

And we missed you!

Little Black Dress INK is thrilled to announce the theme of our third (almost annual) Female Playwrights Festival (part of our Female Playwrights ONSTAGE Project):

Planting the Seed

Just think about that for a minute.

It can mean a lot of things.

For us, it’s an integral part of LBDI’s mission – we want to plant the seed of our Project’s mission in every theater company’s creative soil because Female Playwrights are AWESOME!

I’m going to be posting submission details this week, so this post is really just to whet your appetite and tell you that we’ve got some exciting partnerships extending the festival’s reach this year, including one with the Los Angeles Female Playwrights Initiative.  If you haven’t heard of them, you need to click on over to their website and acquaint yourselves!  We’ve also got readings scheduled outside of Prescott, which means more playwrights are going to be heard and more communities are going to experience their work!  HUZZAH!

So stay tuned! And if you’re a playwright, start thinking about what “Planting the Seed” might mean to you.

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Sweet Victories!

It’s always a challenge when you pick up the corner of a new page and say “I think I’m going to dive in!”  I’ve been very fortunate to have wrangled a whole bunch of talented artists to help produce our Female Playwrights ONSTAGE Project festivals, and I’m so thankful.

That doesn’t mean that the “real” world has echoed their efforts yet though… at least, not enough to allow me to focus on producing/writing/teaching without worry of maintaining a day-job.

Which is all to say, I haven’t been able to update the blog due to life being crazy busy.  But I promise an update soon!

In the meantime, please take a moment to watch Shanee Edwards’ short film – WINK.  This is Shanee’s directorial debut, and I couldn’t be prouder!  But what’s even better, is that Shanee adapted this film from her play RING AROUND THE COLLAR… which she wrote for our very own Dirty Laundry play fest!

I am just over the moon that the Little Black Dress INK writing prompt got Shanee’s juices flowing towards this super fun, funny, engaging film.  Congratulations, Shanee!  You ROCK!

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Impending WOW

By Tiffany Antone, playwright and festival coordinator

I’ve been known – on occasion – to bite off more than I can chew (The flurry of frenzied multi-tasking I’ve been trying to maintain these past two months is a prime example) but even amidst all the recent sleepless nights, there has been an underlying conviction that it’s all worth it… because I love what I do, and I love being able to share it with others.

This year’s bevy of super talented directors and actors have been a joy to share From the Mouths of Babes with.  They’ve put in such time, energy, and passion that I continue to be amazed that Prescott’s PCA is really community theater – their artists are consummate professionals.  It is my deepest joy to have been able to work on this festival with them!

And the playwrights!  My God, the playwrights… the playwrights who wrote such amazing, poignant, laugh-out-loud pieces and then polished and polished to turn in rewrites… who skyped/emailed/old-school-dialed/and otherwise maintained sparkly contact with their directors… and many of which are traveling to Prescott as we speak, in order to be here for the festival tomorrow…  These ladies are amazing.  They’re talented, funny and passionate people with whom I am deeply honored to be working.

Which isn’t to say this whole event isn’t also a TON of work!  Love-fest aside, I’m tired and feeling the stress of the “NEED TO GET IT ALL DONE”ness like you wouldn’t believe – but it’s the kind of thing that feeds the creative soul… and the soul needs to be fed.

So I just want to thank everyone involved, from the bottom of my heart – and wish us all an excellent show!

 

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